Music for Grade 6
1 **Musicianship**
1-1 Sight-singing
1-2 Aural tests
1-3 Dictation
1-4 Rhythmic and melodic patterns
1-5 Interval recognition
1-6 Chord recognition
1-7 Harmonic analysis
2 **Performance**
2-1 Solo performance
2-1 1 Instrumental
2-1 2 Vocal
2-2 Ensemble performance
2-2 1 Instrumental
2-2 2 Vocal
2-3 Repertoire knowledge
2-4 Interpretation and expression
2-5 Technical skills
2-6 Performance practice
3 **Theory**
3-1 Scales and modes
3-2 Key signatures
3-3 Time signatures
3-4 Rhythm and meter
3-5 Harmony and counterpoint
3-6 Chord progressions
3-7 Modulation
3-8 Form and structure
3-9 Notation and terminology
4 **Composition**
4-1 Melodic composition
4-2 Rhythmic composition
4-3 Harmonic composition
4-4 Form and structure
4-5 Improvisation
4-6 Notation and presentation
5 **History and Context**
5-1 Music history
5-2 Composers and their works
5-3 Genres and styles
5-4 Cultural and social context
5-5 Performance practice in historical context
6 **Listening and Analysis**
6-1 Listening skills
6-2 Analytical skills
6-3 Comparative analysis
6-4 Critical listening
6-5 Application of theoretical knowledge to listening
7 **Technology in Music**
7-1 Music software
7-2 Digital audio workstations (DAWs)
7-3 MIDI and sequencing
7-4 Recording techniques
7-5 Music production
8 **Practical Skills**
8-1 Instrument maintenance
8-2 Music reading skills
8-3 Ensemble participation
8-4 Rehearsal techniques
8-5 Performance anxiety management
9 **Ethics and Professionalism**
9-1 Ethical considerations in music
9-2 Professional behavior
9-3 Career development
9-4 Networking and collaboration
9-5 Legal aspects of music
1-7 Harmonic Analysis Explained

Understanding 1-7 Harmonic Analysis

Key Concepts

Harmonic analysis is the study of how chords and their progressions function within a piece of music. For Grade 6, understanding the 1-7 harmonic analysis involves recognizing the primary chords in a key and their relationships.

1. Tonic (I)

The tonic chord (I) is the primary chord in a key, providing a sense of stability and rest. It is built on the first degree of the scale. For example, in the key of C major, the tonic chord is C major (C-E-G).

2. Dominant (V)

The dominant chord (V) is built on the fifth degree of the scale and creates a sense of tension that resolves to the tonic. In C major, the dominant chord is G major (G-B-D).

3. Subdominant (IV)

The subdominant chord (IV) is built on the fourth degree of the scale and provides a sense of movement towards the dominant. In C major, the subdominant chord is F major (F-A-C).

4. Leading Tone (vii°)

The leading tone chord (vii°) is a diminished chord built on the seventh degree of the scale. It strongly resolves to the tonic. In C major, the leading tone chord is B diminished (B-D-F).

Explanation and Examples

When analyzing a piece of music, identify the primary chords (I, V, IV, vii°) and their functions. For instance, a common progression in C major might be I-IV-V-I, which starts and ends on the tonic chord, passing through the subdominant and dominant chords.

Consider the following example:

In the key of C major, the progression C major (I) - F major (IV) - G major (V) - C major (I) creates a sense of resolution and completeness. The F major chord (IV) moves towards the G major chord (V), which then resolves back to the C major chord (I).

Another example:

In the same key, the progression C major (I) - G major (V) - B diminished (vii°) - C major (I) highlights the strong resolution of the leading tone chord (vii°) to the tonic chord (I). The B diminished chord (vii°) creates tension that is immediately resolved by returning to the C major chord (I).

Practical Application

To improve your harmonic analysis skills, practice identifying the primary chords (I, V, IV, vii°) in different pieces of music. Use a piano or keyboard to play these chords and listen to their relationships. Over time, you will develop a deeper understanding of how chords function within a key, enhancing your overall musical comprehension.